Michael Graves's creations, big and small, have made him America's most visible--and busiest--designer.
THE 1996 DREAM HOUSE could fit into the lobby of any hotel he
has designed. Yet Michael Graves, one of America's most distinguished architects,
was delighted when LIFE asked him to design our third annual Dream House. His
assignment: Create a family-friendly house the size of the average new American
home--about 2,100 square feet--that could be built for the average new-home price.
The challenge gave Graves a chance to offer an alternative to what he considers
the "thinness" of most new homes. "They are the remnants of what we aspire to,"
he says, built with no character and on the cheap. Like the architects of LIFE's
two previous Dream Houses, Graves was eager to show that every element of his
style could fit into a modest space. "We've tuned and tuned and tuned," he says.
The 1996 LIFE Dream House has all his hallmark moves: symmetry, organization, a
touch of formality. "It's ordered, but not rigid," says Graves, who frowns on
what he calls "Silly Putty plans," houses where spaces are ill-defined, where
guests enter and aren't sure which way to turn. He believes in varied rooms, more
of them rather than less, sensibly arranged and finished with thoughtful,
dramatic details. The effect: "To give a sense of well-being."
Graves, 61, who
began his career as an austere modernist, now designs in a warmer style that is
both traditional and highly innovative. Plenty of architects have taken to this
"postmodernist" school; but Graves, considered its avatar, hates the label.
"There's a very good word for what I do," he says. "Architect."
The architect
works out of two 18th century houses that are a quick walk from his Princeton,
N.J., home. His office, a former sitting room, is a slightly disheveled place
full of books and antiques. Three dozen architects and designers work for him,
many of them his former students at Princeton University, where he has taught for
34 years. Unlike most prominent architects, who are finicky about which jobs they
take, "we just say yes," Graves says. "Too often, maybe, but we like to do what
we do."
Graves's own dream house was a dilapidated, 1920's stucco-faced storage
facility when he bought it in 1970. Over the past two decades he has transformed
its warren of rooms into an Italianesque retreat. The Warehouse, as he calls his
home, is his testing ground for new designs, many of which are in the LIFE Dream
House. The Indiana-born Graves believes that everyone should have access to good
design. "I love the fact that a Honda is looking more like a Mercedes," he
says--and that a middle-class house can look like a master's.
By Jenny Allen Photography by Wayne Sorce
Reporting: Janet Mason
Michael Graves interviews that have mentioned the Life Magazine Dream House project:
An interview by Royce N. Flippen III conducted February 5, 1997 —
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